Movie: Alice in Wonderland (2010)

Not too bad, not too bad. I happen to have read Lewis Carrol’s Alice's Adventures in Wonderland two years ago and I remember that it is a book without much plot. Of all the books in the world, this is probably the book that is most like a dream, and dreams are not very coherent most of the time. The charm of the Alice story lies in subtle word jokes (that often require an explanation nowadays, 145 years later) and fancies in imagination. But modern Hollywood requires movies with a plot, a clear storyline.

I can imagine Tim Burton’s headaches as he tries to force the well-known Alice elements into a coherent story. I guess he took another look at the Disney adaptation and then made up a lot of new characters and places to glue the Alice elements together. This will make Alice purists groan, but I can forgive Burton for using his artistic licence. At least he tried to stay true to the dreamlike spirit, although the battle at the end is really stretching it. Burton also tries to get away with it by making his movie a sort of sequel to the first, and Alice is a young adult instead of a little girl (like Steven Spielberg’s Hook was a sequel to Peter Pan). The intro with adult Alice is nice, but the ending in the real world is rushed and awkward (curiously Hook’s ending was too stretched out and overly sentimental).

Burton has also sweetened the story a bit. If we compare this Alice in Wonderland with the book and the Disney version, then the latter two are much more darker and brooding and somehow better suited for adults than children. By removing the darkness, Burton’s Alice in Wonderland has become childish and falls a bit flat. In the end, if you like Burton and if you like odd characters jumping through inventive CG landscapes, you can enjoy it at face value. I love the cat.

IMDB: Alice in Wonderland

Movie: Fantastic Mr. Fox (2009)

A jolly adventure based on the famous book by Roald Dahl, complete with talking foxes, beavers and badgers in an English countryside of the Wallace & Gromit variety. It is not all fun though, there is drama too and familiar family problems. Before you watch it: you should know that this is a movie by director Wes Anderson, and Wes Anderson has a very unique style.

The ingredients of an Anderson movie are a bit as follows. His characters are witty, quirky, and often recognizable as stereotypes. His movies are very quotable. Then there is the settings and atmosphere. Every cameramove, every little piece of background has been taken care of and is often colorful and elaborate. Sometimes he contructs enormous sets to make his camera float over it, such as a house where the wall is cut away. Finally, to top it all off, Anderson has a strange sense of humor. His movies balance in a confusing way between comedy and drama. All of this goes for Fantastic Mr Fox as well. Once you get used to his style, it can be quite entertaining, so try it out.

Some like that stuff, some don’t. But perhaps all his movies so far have had more in common in style with animation than live action, and now is the first time that Anderson really turns to animation. And what kind of animation does he chooses? Stop-motion. Thats the way clay dinosaurs were made from the 1930s King Kong movie. But he succeeds bravely with an enormous production of top quality. Anderson is still growing as an artist and Fantastic Mr. Fox is one of the best animations of the year.

IMDB: Fantastic Mr. Fox

Movie: The Nightmare Before Christmas (1993)

Before this movie got claimed by certain teenage subcultures and main character Jack Skellington became a T-shirt icon, The Nightmare Before Christmas entered the lists of greatest animated movies ever made. Tim Burton’s magical marriage between Halloween and Christmas was put off as weird at first, but claimed a cult following and slowly gathered the praise it deserved.

I guess most people would label this movie as “weird”, but not many would fail to see that a lot of meticulously crafted artwork has gone into it. Burton created a weird kind of beautiful that managed to twist puppets (which are often unintentionally nightmarish, like clowns) into charming dark fun. It is a little blessing to approach darkness with such good cheer.

This is the heart and power of the movie and would have been enough to make it a cult classic, but The Nightmare Before Christmas is an allround spellbinding production with excellent voice acting, an original storyline and great music. Years later, Burton would try to make the same movie twice with Corpse Bride, but The Nightmare Before Christmas is unique and already complete in its vision, as if it sprung as a whole from Burton’s forehead. He may have named his movie a nightmare, but I wish I could have a dream like this.

IMDB: The Nightmare Before Christmas

Movie: Up (2009)

At the same time grown up and young. That is the strength of Up. Animation is hardly ever so bittersweet as this movie. Amination is mostly upbeat, fast and shows the sunny side of life only, but Up starts at a downcast note in its masterly montage of poor Mr Fredricksen’s life. It is one of the highlights of the movie and is very mature and serious, but that doesn’t make this movie less suited for children, it makes it memorable. In this, Up is a movie very much in the style of Miyazaki’s Ghibli studio.

Up is a different film compared to other Pixar stories as Finding Nemo. It feels simpler and more straightforward. It is more focused on telling one story, whereas Finding Nemo, Wall-E (and also the Miyazaki stories) are more like strings of connected adventures. Up has less sidescenes and inventive stuff going on in the background, but it is by no means shallow. Up rests on a few very strong ideas and images, like the floating house and the waterfall, which become icons for the movie and so it doesn’t need to rely on other inventions to keep things interesting.

And all the while, Pixar’s mastery in animation shines through. You can watch it in 2D and 3D but I would prefer 2D to really appreciate the art that has gone into this movie. Up has a subtle range of colours, expecially for the interiors of Mr. Fredricksen’s house and the zeppelin later in the movie. Pixar dares to push the conventional boundaries of animated storytelling and I hope they will continue to make movies like this for a long time.

IMDB: Up

Movie: Gake no ue no Ponyo (2008)

(Ponyo on the Cliff)

When the best days of Disney were over, the Japanese director Hayao Miyazaki suddenly became a lot more famous in the Western world. But Miyazaki’s studio Ghibli had been cracking out full length cartoon films for years. With his modern animation classics, Miyazaki revolutionized the Anime genre in the West. On forums people often note that they are going to show their future kids Ghibli films instead of the Disney classics because they are so much more magical. And indeed, everything Miyazaki touches becomes gold, culminating in an Oscar for Best Animated Feature for Spirited Away in 2002.

Miyazaki makes hand drawn art look impressive; never shying away from the enormous work of drawing oodles of the same stuff. At the start of Ponyo on the Cliff, for example, there is a scene with hundreds of jellyfish, all drawn separately. And I should also mention the numerous painted backgrounds. He is an artist and a teller of fairytales.

That is what Studio Ghibli is doing. It is creating a resume of new fairytales for the world. The stories of Miyazaki have the power of making adults feel like children. To let us remember that time of magic, awesome discoveries and the surreal logic of a childhood world. The boundary between fantasy and reality is paperthin in Ponyo on the Cliff, and that makes the storyline a bit puzzling now and then, but that is a Miyazaki trademark.

Despite a rushed ending, Ponyo on the Cliff is a work of creative brilliance and a lovely cartoon for children and adults alike.

IMDB: Ponyo on the Cliff